Home

Follow Countercurrents on Twitter 

Google+ 

Support Us

Popularise CC

Join News Letter

CounterSolutions

CounterVideos

Editor's Picks

Press Releases

Action Alert

Feed Burner

Read CC In Your
Own Language

Bradley Manning

India Burning

Mumbai Terror

Financial Crisis

Iraq

AfPak War

Peak Oil

Globalisation

Localism

Alternative Energy

Climate Change

US Imperialism

US Elections

Palestine

Latin America

Communalism

Gender/Feminism

Dalit

Humanrights

Economy

India-pakistan

Kashmir

Environment

Book Review

Gujarat Pogrom

Kandhamal Violence

WSF

Arts/Culture

India Elections

Archives

Links

Submission Policy

About Us

Disclaimer

Fair Use Notice

Contact Us

Search Our Archive

 



Our Site

Web

Subscribe To Our
News Letter

Name: E-mail:

 

Printer Friendly Version

'A Great Silence Is Spreading Over The Natural World': John Vidal

By Countercurrents.org

04 September, 2012
Countercurrents.org

The nature we love is full of beauty and potential, still to explore and identify a lot, the humanity needs for its survival, for building up a peaceful, prosperous life. Musician and naturalist Bernie Krause has spent 40 years recording nature's sounds, over 15,000 species in many of the world's pristine habitats. But the rate of species and habitat loss is so high, huge and rapid that his tapes may become our only record of the original diversity of life. Robert Hass' words will come to reality:

"The birds are silent in the woods.
Just wait: Soon enough
You will be quiet too"

John Vidal, environment editor, writes in guardian.co.uk on September 3, 2012:

When Bernie Krause drops his microphones into the pristine coral reef waters of Fiji, he picks up a raucous mix of sighs, beats, glissandos, cries, groans, tones, grunts, beats and clicks.

The water pulsates with the sound of creatures vying for acoustic bandwidth. He hears crustaceans, parrot fish, anemones, wrasses, sharks, shrimps, puffers and surgeonfish. Some gnash their teeth, others use their bladders or tails to make sound. Sea anemones grunt and belch. Every creature on the reef makes its own sound.

But half a mile away, where the same reef is badly damaged, he can only pick up the sound of waves and a few snapping shrimp. It is, he says, the desolate sound of extinction.

Krause, whose electronic music with Paul Beaver was used on classic films like Rosemary's Baby and Apocalypse Now, and who worked regularly with Bob Dylan, George Harrison and The Byrds, has spent 40 years recording over 15,000 species, collecting 4,500 hours of sound from many of the world's pristine habitats.

"A great silence is spreading over the natural world even as the sound of man is becoming deafening," he writes in a new book, The Great Animal Orchestra. "Little by little the vast orchestra of life, the chorus of the natural world, is in the process of being quietened. There has been a massive decrease in the density and diversity of key vocal creatures, both large and small. The sense of desolation extends beyond mere silence.

"If you listen to a damaged soundscape … the community [of life] has been altered, and organisms have been destroyed, lost their habitat or been left to re-establish their places in the spectrum. As a result, some voices are gone entirely, while others aggressively compete to establish a new place in the increasingly disjointed chorus."

Hawaii, he says, is the extinction capital of the world. "In a couple of centuries since the islands were populated by Europeans, half the 140 bird species have disappeared. In Madagascar, 15 species of lemur, an elephant bird, a pygmy hippo and an estimated half of all the animals have gone extinct."

Even partially disturbed habitats lose much of their life for many years, says Krause. Recordings of a meadow in the Sierra Nevada mountains east of San Francisco before the surrounding forest was selectively logged in the 1980s sounds very different to when Krause returned a year later.

"The overall richness of sound was gone, as was the thriving density and diversity of birds. The only prominent sounds were the stream and the hammering of a Williamson's sapsucker. Over the 20 years I have returned a dozen times to the same spot at the same time of year but the bio-acoustic vitality I had captured before logging has not yet returned."

One in four mammals is threatened with extinction, he says. With the exception of a few sites, frog populations are in decline worldwide and birds are beginning to show radical signs of territorial shifting.

"Things are beginning to quiet down in the pristine habitats. The combination of shrinking habitat and increasing human pandemonium [has] produced conditions under which the channels … necessary for creature survival are being completely overloaded. The voices of the wild in their purest states where no [human] noise is present are splendid symphonies."

But the wild natural world, comprised of vast areas not managed by humans, rarely exists now except in a few isolated places such as the Alaskan wilderness, the far Canadian north, Siberia, the pampas of Argentina and Uruguay, and the Brazilian Pantanal which are still rich with natural sound, he says.

"The fragile weave of natural sound is being torn apart by our seemingly boundless need to conquer the environment rather than to find a way to abide in consonance with it."
.




 

 


Comments are moderated