‘Aurora’ Exposes Western Cultural Imperialism

Interview by Italian magazine Antidiplomatico with the author, Andre Vltchek

Q: Please tell us about your recently published book, “Aurora”.

auroraA: Aurora is my latest novel. It is short, but emotionally charged and ‘outrageous’. It breaks many taboos, especially those regarding Western, particularly European culture. You know, so many people have this fetish about European culture being refined and superior to other cultures of the world. I actually don’t think it is, after living in Asia and Latin America for many years… But anyway, in my “Aurora” I also show how this – Western – culture can indoctrinate, brainwash, and destroy.

Q: Only the culture itself, or also the European cultural institutions?

A: Precisely, both! The two main protagonists of “Aurora” are:the German-speaking head of a huge European cultural institution, which is based in an unidentified Southeast Asian country (although many would guess that it is Indonesia), and his antagonist: a lady, a great local artist who literally escaped from her country to Venezuela and there married a revolutionary painter and a muralist. Her name is Aurora.

Hans G is not only the head of a cultural institute; he is also an intelligence officer, as well as a propagandist who uses ‘art’ and the funding of local artists for clear political motives: to depoliticize the country where he is based, to keep it obedient, ignorant, and passive.

Q: Aurora confronts him. How?

A: She does. She sees clearly what Hans G. (and his ‘culture’) is doing to her country. She challenges him. She humiliates him publicly… I don’t want to reveal the entire plot of my novel here… But for Aurora, the main reason for returning to her country is to find out the truth about her sister, who used to be another prominent progressive artist, but who was kidnapped, raped, tortured and murdered, mainly by those who were there to ‘promote’ that great European culture!

Q: There are Mozart, Brecht and others appearing throughout your book…

A: In the past, but also during these days, some of the greatest European musicians, writers and painters were actually thoroughly destroyed and prostituted by the elites and by the Church. They were forced to produce technically brilliant but content-wise pathetic and toothless kitsch. Mozart and Brecht, sitting in a bar in an ancient Chilean city of Valparaiso, are discussing the past, the art, although they are mainly remembering that important encounter of Hans G with Aurora, which Mozart actually witnessed, as a ghost. In a way, both Mozart and Brecht are co-narrating “Aurora”.

Frankly, “Aurora” is easy to read, but structurally it is a multi-layered novel, short but conceptually complex.

Q: It is also full of dark humor. How difficult is it to address such serious topics while still making your readers laugh?

A: For me, humor is always essential. I use it in all my writing, in fiction, non-fiction and in the theatre plays. People don’t only want to be ‘educated’ and reminded about the pitiful state of the world: when they read a book, especially a novel, they want to feel, to laugh, to cry, to be alive.

I think that any good fiction can really revolutionize the world; it can also show the reality, much more so than fact-based non-fiction works. That’s why the Western regime makes sure to neutralize, to depoliticize literature, poetry and cinema – because that’s where the inspiration, rebellion, and courage really have their homes. The regimedoesn’t botherto censuremost of the non-fiction work: because most of the dry and fact-based work would never truly manage to move a critical mass of people, it wouldn’t send millions to the barricades. Only true art can: novels, poetry, and great music. Western art is now hibernating. We have to wake it up, and do it very quickly!

Q: Do you have any plans to publish Aurora in Italy or in other languages besides English?

A: No concrete plansas yet, Aurora was only very recently published in English. But of course I’d love to have it in various languages. If publishersout there would really dare to touch such dynamite, then really why not?!

*

Andre Vltchek is a philosopher, novelist, filmmaker and investigative journalist. He has covered wars and conflicts in dozens of countries. Three of his latest books are revolutionary novel “Aurora” and two bestselling works of political non-fiction: “Exposing Lies Of The Empire” and  Fighting Against Western Imperialism. View his other books here. Andre is making films for teleSUR and Al-Mayadeen. Watch Rwanda Gambit, his groundbreaking documentary about Rwanda and DRCongo. After having lived in Latin America, Africa and Oceania, Vltchek presently resides in East Asia and the Middle East, and continues to work around the world. He can be reached through his website and his Twitter.

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