Normalising
Violence For Young Minds
By Meena Radhakrishnan
4 May, 2003
"We are dealing with
pockets of resistance in Baghdad, and in the meanwhile it is business
as usual: we will continue to drop bombs on the city through the night...
What we dropped last night were normal 3,000 pound bombs".
Officers of the United
States Army engaged in fighting in Iraq, interviewed for CNN.
MY nine-year-old daughter
had this to say, after impatiently watching in short bouts the coverage
of the war: "Why are you watching the same film every day? Any
way it is just showing the same thing again and again. Either a city
with lots of lights with big burning fires, or fire and smoke in the
desert. Sometimes teachers come and explain something on the board or
on a map. Otherwise all the time planes, helicopters and tanks. Why
don't you put on a film which has normal people in it?"
So the intended "shock
and awe campaign" by the coalition forces, so successful in striking
terror in the hearts of the adult population of this world, was lost
on at least one member of the younger generation. Instead, the normalising
of violence and aggression was achieved so successfully that an illusion
registered firmly with this young viewer that either it was just another
bad and boring film, not live footage of a real war, or that at best
it was quite alright to be causing all those big fires, day after day,
night after night, reporting and discussing them, and analysing the
individual episodes with graphs and charts, without any anger or anxiety
or pain. The "normal" people, being mangled behind the fire
and the smoke, were missing.
What is perhaps most difficult
to register, not just for a child, but even for oneself, is the incredible
fact that some people who were alive at the beginning of a particular
"live" episode as bombs were being dropped in the dead
of night and monstrous, undousable fires were leaping up were
actually dead by the time one had finished watching it. And so, one
was, perhaps for the first time in history both of warfare and
of the media actually watching people being killed amidst periodic
declarations by the coalition army that "everything was going as
planned". So much for the advances in media technology (not to
speak of advances in definition of liberation) that millions of horrified
people sat in different parts of the world, watching death and destruction
being perpetrated upon a people, without being able to put an end to
it. Stunned, the only choice one had was of switching off the television.
The respite came in the form of the colourful advertisements showing
"normal" people continuing to live the pleasures of life.
I particularly remember one which was beamed while my children happened
to be around.
It was for a holiday in Thailand,
standing out in stark contrast to the grey and black and dirty yellow
of a dusty, smoky city, inviting the viewer to join in the celebrations
of the festival of Songkran. And then back to the slowly, almost stoically
burning city of Baghdad. An incredible sight, and yes, indeed, it was
business as usual: why miss the opportunity of earnings from advertisements,
when millions have switched on their television sets to watch the war?
As expected, it was the fun and music, the pageantry and beauty of Thailand
which registered with the children. What is this if not a sinister project
of deadening the senses, so that destruction of life goes on as naturally
as life itself?
A stock combination in the
coverage was evident throughout: the voyeurism of the cameras, recording
the latest bouts of destruction, along with chatty details of, say,
the precise number of "sorties" which were made the previous
night to drop bombs on "legitimate targets" in Baghdad (never
mind if the definition of the legitimate targets itself kept steadily
expanding). Minute details of the technical sophistication of the weapons
accompanied chilling, repeatedly flashed pictures of B-52 bombers taking
off from a Royal Air Force (RAF) base for their "mission"
to maul Baghdad. An ongoing animated commentary explained their precise
"capabilities", thoughtfully provided for the uninformed viewer,
with sketches of the weapons, or the map of Iraq.
After all, a bit like the
latest cricket score, we should not just be the first to know, but know
all: precisely how, where, when. But the unimportant and unanswered
questions remained: Who, How Many and Why?
Very occasionally, in the
middle of repeated shots of gigantic, hideous weapons made more
menacing by close ups one glimpsed a child with an arm or leg
blown off, lying in an overcrowded hospital, staring vacantly at the
camera. Or a grown man weeping inconsolably in someone's arms, stunned
onlookers standing around, in the middle of a bombed out residential
building. All we were told about this last event was that the area was
reduced to "a crater of 52-metre radius". The "precision
bombers" were the pride of the arsenal, but if they killed hundreds
of civilians in their hunt for the tyrannical leadership, we never got
the details of casualties.
Apparently, the "embedded"
journalists were forbidden from divulging precisely the details which
were the human aspect of a gruesome war.
The fascination with the
technology and mathematics of devastation has heralded a new era of
assessing suffering in the last few weeks. It has succeeded in drawing
attention away from the ugliness, avoidability, and sheer scale of slaughter
caused by machines which are supposed to be not weapons of mass destruction.
One frankly fails to understand this artificial line between these two
kinds of weapons, especially since the dreaded "other" ones
were the main rationale for invading Iraq, and are yet to be unearthed,
while the supposedly legitimate ones used by the coalition forces are
causing such mayhem. The fact that coalition forces have used particularly
wanton pieces of weaponry like cluster bombs in their assaults is forgotten
in such distinctions.
And so, witnessing the 24-hour
a day orgy that CNN and BBC put on show for the benefit of the world,
it was difficult for many of us to cope with the strange mix of feelings
the coverage aroused awe, distress, fury, disbelief, frustration,
revulsion, terror, horror, outrage, helplessness, tears. Hope, when
it came, came only because one had gradually learnt to look for alternative
information, however meagre, by switching to local channels, or surfing
the internet, or by exchanging information from the print media through
informal networks.
It was through these means
that one gathered knowledge of huge anti-war, anti-occupation protests
by millions around the world. One learnt that fierce fighting was going
on, and enormous resistance being offered by the Iraqi forces when proclamations
of mere "pockets of resistance" were being reported by the
international electronic media. Or that the widely telecast images of
the first statue of Saddam Hussein that fell on April 9 and the deliriously
cheering crowds were in fact a cynical, staged media event. (One had
anyway wondered while watching these on television as to how the few
cameramen stationed in Iraq always miraculously managed to reach the
site of action, and unfailingly record live the felling of so many statues,
or the tearing down of portraits of Saddam Hussain, or the virulent
heaping of insults on these by the Iraqi public.) The media doctors
and engineers, however, soon became careless, and sometimes old clippings
of the same "live" cheering crowds were tagged on to the images
of the demolition of different statues of Saddam Hussein.
It had to be in the non-electronic
media, then, that one got details of the colossal human tragedy that
war meant for the ordinary Iraqi men, women and children. But I go back
to the reaction of a nine-year-old to the televised war coverage. I
counterchecked her reaction with responses of several children and young
people. None of them knew that children just like themselves had got
horribly hurt or killed in the war. Nor had they seen any clippings
of anti-war protests.
Moreover, war came through
to these children not just as a continuous (often fictitious) spectacle
of fire and lights, but a celebration of unquestioned, awesome power
of scientific application; discussions by "teachers" on the
screen never raised issues of human distress, morality, justice or peace.
Millions of children all over the world must have watched these images,
which would probably constitute for them the enduring memory of this
war. Hopefully, an equal number would have witnessed off screen passionate
protests or tenacious resistance to the war, and would carry another
memory. Hopefully, too, the sheer disgust and anger of so many adults
all over the world, inflamed by precisely the same coverage, will also
have touched their children.
An objective history of this
catastrophic war waits to be written, but what the coalition owned electronic
media has fabricated in the meanwhile is a version which is remarkably
free of any human content, or the spirit of resistance to brutality.
And "teachers" who wrote this grotesque chapter in the history
of Iraq have this unambiguous lesson for the children of this world:
the bombing and shooting of those you don't like is natural; deliberate
killing or maiming is normal; human tears and blood mean business as
usual.
(Meena Radhakrishna is a
sociologist and writer.)